|
 Here's one of my licks... it uses the b5 and #5 of it's related major scale to get an augmented sound.
|
|
Read more...
|
|
|
 Man, I love the sound of a good fuzz face... there is nothing quite like it. I love it's huge tone that rips through the mix and also it's elegant rhythm tone that shines through when you roll back the guitar's volume to clean up the distortion just right.
|
|
Read more...
|
|
 This is the prototype for my newest design. It's a true clean boost with 18 volts of transparent headroom.
There are two levels of boost which can be selected by pressing the footswitch on the right. Th prototype is called green/red because those are the LED colors that light up depending on if you've selected the first level of boost or the second. |
|
Read more...
|
|
|
 The mini-booster is one of the most used pedals I've ever built. It's a popular build in the effects community and everyone seems to love it. I know I do. Even the Fulltone Fat Boost was based on this design, but this circuit was originally created by Jack Orman as an adaptation of a circuit from National Semiconductor's app-note AN-32.
Some people would say that it is not a transparent boost because it adds a bit of sparkle to the high frequencies... This is true... It may not be "transparent" but it does retain the sound of your instrument or whatever you put in front of it. Transparent or not, it's a damn good sounding gain stage. When people play my gear at the jam they always love this one. |
|
Read more...
|
|
This place is big! At our Wednesday night jam we've had 7 people on stage with room to move around. And on weekend gigs there have literally been hundreds of people in the audience. Papa G's is a very fun venue. |
|
Read more...
|
|
|
|
|
Page 4 of 5 |
